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But her ability to embody so many different fashion idioms—from Helmut Lang’s edgy minimalism to John Galliano’s madcap fantasy, from Versace’s high octane glamor, to Karl Lagerfeld’s haute couture hauteur—with equal insouciance, and make each her own, instantly placed her in the very small class of true fashion chameleons, up there in the Olympian pantheon with Linda, Naomi, Kate, Veruschka, and Twiggy. And by the time she entered the fashion fray, Stella was no teenage neophyte, she was a remarkably grounded and intelligent young woman, with her own agency and an objective perspective on the industry. “She wasn’t trying to be a model,” said Philip Treacy, “to be fabulous, to be cool, to have a rock-n-roll boyfriend: She was disdainful of that circuit. She didn’t care—of course, that was part of the appeal.”
The truth is, Stella didn’t have to try: She not only possessed but she defined the indefinable “it.” “She looked like a fashion sketch from the 20s,” says Sykes, “with that small pixie-ish head, amazing bone structure, and the ectomorphic body type.” Karl Lagerfeld was one of her legion admirers, responding to her beauty, intelligence, and lineage, and in 1996 booked her on an exclusive Chanel contract, ushering in a new willowy paradigm for the house, evocative of Ines de la Fressange in the 1980s, in the wake of the voluptuous blonde Claudia Schiffer. Meanwhile, Stella’s dream of a Scottish estate of her own grew ever more tangible.
Despite Stella’s misgivings, the fashion world was besotted. For Donatella Versace, Stella was “strong, smart, opinionated, and determined.” She was booked for Jean-Paul Gaultier’s memorable Spring 1994 show, which represented “a startling vision of cross-cultural harmony,” as Vogue noted. A season later she walked in 75 shows. Ever pragmatic, Stella would jokingly confide that her motivation to walk the runways was that every step she took represented another acre of the fantasy Scottish or Chilean estate she wanted to buy. The nose ring eventually went too—Stella had worn it for a meeting with representatives of one of the world’s leading beauty brands and they had assumed the agency had sent the wrong girl.
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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